Rules For Drones


People are idiots and when you put high-powered flying lawnmowers machines into their hands, things can get ugly fast. This Christmas, more people than ever will get quadcopters and that means even more of them will think it’s a good idea to fly them on a field right next to their local (or international) airport or over a stadium full of people.


Thanks to people like this and general public unease about all things “drones” in the U.S., we will soon get a first set of regulations that will govern what we can do with with our quadcopters — and that’s okay. There has been a lot of insecurity surrounding the FAA’s plans for drones and the sooner we get some clarity, the better.


For years, hobbyists were able to fly their remote controlled planes (and for all intends and purposes, that’s what most of the “drones” you hear about these days are) without any hassle. There weren’t all that many of them, the planes and helicopters were expensive and hard to fly, and most people followed the common-sense rules of the AMA.


Today, you can buy a powerful quadcopter with a built-in camera and gimbal for less than a thousand dollars. It doesn’t take any special skills to operate them. That’s awesome. I’ve played around with my fair share of them (and crashed a few, too) and they allow you to take great images and videos. But there is a growing segment of the population (especially in the U.S.), that freaks out every time the word “drone” is uttered somewhere. The Drudge Report — that beacon of journalistic integrity — happily features a drone-related horror story as often as possible, for example.


DSC06262


The FAA is about to release a first proposal for regulations that would mostly affect commercial drone operators. While nobody wants more rules and regulations, I actually think it’s about time we get some clarity as to what commercial drone operators can and can’t do. Let’s not forget, even if you are doing real estate photography with a small DJI Phantom drone today, you are working a legal gray zone. The specific regulations that have leaked so far seem rather onerous (operators must have pilot certificates, for example), but a) these are only rumors for now and b) those rules will be up for discussion once the FAA publishes them. Still, right now we have a bunch of drone startups that can’t really do anything because the rules around commercial drone flights are so unclear. Even if this first batch of regulations is annoying, at least it will provide some clarity.


It’s the irresponsible hobbyist who could ruin the fun for everybody, though. It’ll only take one real accident and that’s it.


So when you get that quadcopter in four weeks, don’t just run outside and start it up without having any idea of what you’re doing. Read the Academy of Model Aeronautics’ National Model Aircraft Safety Code. That’ll give you a general idea for what’s acceptable (no flights over 400 feet within a 3-mile distance from airports (or even better: just stay really far away from airports anyway), stay 100 feet away from other people, etc.). Then take a look at this map. If you’re inside one of those shaded areas, don’t fly your drone there. Don’t fly in national parks either. Just apply some common sense — because you don’t want to be this guy.






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Facebook, Google, And Twitter’s War For App Install Ads

Five Sony Pictures Movie Screeners Leaked After Hacking


Five movie screeners from Sony Pictures have made their way onto torrent sites after the studio’s computer system was hacked earlier this week.


These include unreleased titles “Annie,” “Mr. Turner,” “Still Alice,” and “To Write Love On Her Arms,” as well as World War II drama “Fury.” The latter has been in theaters for over six weeks, but is now the second most popular pirated film with more than 1.2 million downloads as of 11AM on Sunday, notes Variety.


The leak is most likely related to the hacking last week of one of Sony PIctures’ servers, which caused all computers used by the studio to go down. An image with the words “Hacked by #GOP” (which stands for Guardians of Peace, not the Republican Party) appeared on employees’ computer screens, along with a demand for access to financial documents.


The studio is also reportedly investigating a link between the attack and North Korea, as retaliation for “The Interview,” a comedy film about a CIA plot to assassinate Kim Jong-Un.


In an email to The Verge, a person claiming to be one of the hackers responsible for the attack said they had been aided by Sony employees.


The alleged hacker also told The Verge that IT security at Sony Pictures is lax: “Sony doesn’t lock their doors, physically, so we worked with other staff with similar interests to get in.”


Indeed, this isn’t the first time Sony Pictures’ has suffered a massive security breach. Back in 2011, a hacker group managed to access users’ passwords, email addresses, and other sensitive information on SonyPictures.com with a SQL injection.


We’ve contacted Sony Pictures for comment and will update this post if they respond.






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Lyft Sheds Some Of Its Quirks As It Seeks New Users


The pink mustache. The fist bump. Riding up front, and chatting with the driver.


Those are all things which had come to define Lyft as a service over the earliest part of its journey, as it sought to win over users and position itself as an alternative to Uber and the existing taxi industry.


As time has gone on, however, Lyft has become more lax with some of the traditions it was founded on, and is rethinking what users can expect when they use its app to catch a ride with one of its drivers.


A New Customer Experience For Transportation


To understand the subtle shift in positioning, it’s probably best to look back and see how some of its defining characteristics came to be in the first place.


Before launching Lyft, co-founders Logan Green and John Zimmer put a lot of thought into what they wanted the service to ride-sharing service to be like. Zimmer was a graduate of Cornell’s hospitality school, and he hoped to model the user experience on what you might expect from a boutique hotel: it could be quirky, sure, but it would also be friendly and inviting.


Each ride would have its own uniqueness about it, just as no two rooms at a Joie de Vivre hotel would be decorated in the same way. However, even though the Lyft team knew each driver (and car) would have its own unique personality, it hoped to instill some common threads throughout the experience.


Stemming from that ethos came the ritual fist-bump upon entering and leaving a car. Lyft co-founder Logan Green suggested the fist bump because it was friendlier than a wave but not as formal as a handshake, and as he told others at the time, “No one wants to worry about having sweaty palms.”


The other big quirk was the giant pink carstache, which drivers attached to the front of their cars, and would overwhelmingly become the symbol of the service.


Tying it all together was the motto that Lyft adopted for its service: “Your friend with a car.”


Following through on this motto, however, carried with it a certain set of expectations for Lyft passengers — mainly that they would sit up front and chat with the driver throughout the ride, just as they would with one of their friends.


In its earliest days the Lyft team spent a lot of time selecting and training its drivers with all of this in mind. From the time the service initially launched in San Francisco and even up until it entered its second market, Los Angeles, drivers were individually screened before being added to the platform. For a while, co-founders Zimmer and Green even interviewed potential drivers themselves.


At launch, Lyft did all this partly out of necessity. After all, unlike the taxi industry, there was no standardization around the make or model one of its peer-to-peer drivers would drive up in. Having a big pink mustache on the grill was an easy way to help passengers identify the car that was picking them up.


The Disco Lyft is one of the more iconic rides

The Disco Lyft is one of the more iconic Lyft rides



(It also had the side benefit of creating a fair amount of buzz and word of mouth from pedestrian passersby who would walk up to cars wanting to know what the whole mustache thing was all about.)


Moreover, as the first peer-to-peer ride-sharing service, the Lyft had to get users comfortable with the idea of riding with a stranger, and one who wasn’t commercially licensed to drive people around town.


Lyft did a lot of work early on to ensure it did all the necessary driver and criminal background checks required, and as above, screened applicants for friendliness and personality before signing them up for its service. Still, it had to win over customer trust to get them comfortable with the ride-share model.


While a certain amount of trust and safety was already expected and built in to the taxi industry and to the licensed black car drivers that Uber partnered with at the time, Lyft was using regular people and their cars to power its local transportation service.


Positioning a driver as “Your friend with a car” was one way to help instill trust on the customer side of things, and to differentiate itself as an alternative to the silent or sometimes surly taxi drivers passengers had been used to.


Changes In The Competitive Environment


Things change over time, however. As the service matures, the same features which helped Lyft win over its earliest customers two years ago aren’t as useful in the current competitive environment.


Again, some of the shift was born out of necessity. After all, it’s difficult to scale community when your supply of drivers is constrained.


Lyft first saw this about six months into its journey, as demand outstripped supply in San Francisco and it needed to rethink how it was onboarding drivers. The company could no longer afford to have its founders individually interview each to ensure they fit its personality.


Over time, as it’s sought to keep up with demand, the individuality of its drivers is no longer quite as much of a focus. While the “Disco Lyft” and “Karaoke Lyft” vehicles are great when you see them, fewer and fewer drivers are putting in that much effort to provide a differentiated service.


Moreover, it’s becoming clear that drivers themselves are a commodity, particularly as arch-rival Uber has aggressively sought to recruit away those who drive for Lyft across multiple markets.


At the same there’s a bigger shift underway in passenger expectations. Increasingly passengers around the country are becoming comfortable with the idea of hailing a ride via mobile app, and the designation between a commercially licensed driver and one who isn’t licensed doesn’t matter quite so much to most.


That is to say, the same education Lyft needed to provide to users two years ago isn’t quite as necessary in today’s environment. In the same way, it no longer needs a big pink mustache on the grill of its cars to make users aware of its service.


And, finally, more education and awareness among consumers about available ride-sharing services means there’s less actual differentiation between them. Increasingly, users aren’t choosing a Lyft or an Uber based on friendliness of feature set, but based on price and availability.


He who isn’t surge pricing and he who has the nearest car available frequently wins.


A Subtle Shift In Expectations


As a result of all of the above trends, it’s becoming more and more difficult for Lyft to differentiate based on the same founding principles and “user experience” its co-founders dreamed up before launching the service two years ago.


Even if Lyft could scale culture and extend it to thousands of drivers across hundreds of cities, it’s unlikely that consumers would care very much. All of which is why you’re probably seeing a subtle shift away from the Lyft features which used to define it.


Lyft has stopped distributing the iconic giant pink carstache to all new drivers as it seeks to find more sustainable and effective methods of branding.


That’s probably a good thing, since it seems most drivers had stopped attaching the ‘stache to the front of their cars years ago. (In my experience, most used to place the ‘stache on their dash, which could be precarious.)


The company first began transitioning away from the large mustaches in July — as it launched service in New York City — and now provides an emblem for drivers to put in their windshield to identify their cars as Lyft vehicles. They also provide a smaller version of the ‘stache, which Lyft calls the “cuddlestache” and is less cumbersome to place on the dashboard.


A source within Lyft tells me the company is working on new visual branding to reflect its identity and that the “cuddlestache” is merely a short-term placeholder in the interim. It’s not clear when the replacement for the mustache will appear, but it’s likely sometime early next year.


At the same time Lyft is moving away from the mustache, it’s also signaling a shift in passenger expectations. Last week, the company sent an email entitled “The Insider’s Guide To Lyft” which sought to explain some “Family Secrets” to users.


Lyft Secret 1


Lyft Secret 2


Those “secrets” were essentially around how users should greet their drivers and where to sit, and the email basically told users that fistbumping their driver and sitting up front were no longer necessary. While the email said users could continue on with Lyft traditions, it also seemed to make the service more open for users who just want to get from Point A to Point B:


“How you ride with Lyft is up to you. At the end of the day, Lyft is about helping each other get to where we want to go.”


While Lyft’s focus on community and friendliness was a key differentiator early on, there’s evidence that as it seeks new users, those same values might not be helping it.


Anecdotally speaking, I know multiple people who refused to use the service because they didn’t want to sit up front or have a conversation with their driver — they merely wanted a quiet ride and to respond to email in silence while going to or from work, for instance.


As Lyft seeks to grow and compete with Uber, the company realizes it’s going to need those passengers, too. The “Insider’s Guide To Lyft” seems a tacit acknowledgement of that fact.


There’s no doubt Lyft will continue to try to appeal to a certain type of user as a competitive differentiator. After all, some people will want a “friend with a car” rather than a “private driver.”


But for many users, the differences between the two are becoming increasingly blurred. And as Lyft seeks to go mainstream, it seems the company is increasingly aware of that fact.






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The Algorithm Economy Heads To Amazon


Holidays are a time for families to come together, catch up over great food and drinks, and determine all the technical problems that need solving throughout the house. Indeed, for children growing up in the digital age, the holidays ultimately boil down to free (or more accurately, meal-subsidized) technical support for our most cherished loved ones.


Kids: Amazon has you covered.


Well, almost. This past week, Amazon publicly introduced an early release of Selling Services, which we had previously mentioned the company was working on a few months ago. Amazon is developing a marketplace that offers after-sale services such as car alarm installation, iPhone repair, and computer hardware setup to consumers buying relevant products. Today, the marketplace is available in 15 early rollout cities, including New York City and Lexington, Kentucky.


After-sale services are among the highest profit margin revenue streams for retailers, so it is little surprise that Amazon is jumping into the fray. Geek Squad, which was founded by Robert Stephens in 1994 and sold to Best Buy in 2002, is perhaps the most prominent example. As the Minneapolis Star Tribune wrote last year about the hometown retailer, “Over the past decade, Geek Squad has been a cash cow for Best Buy. […A]nalysts estimate Geek Squad generates a gross profit margin of 40 to 50 percent based on a minimum annual revenue of $2 billion, or about 4 percent of Best Buy’s total revenue of $50 billion.”


That profitability of after-sale services has also attracted the attention of startups. One particularly notable example is Geekatoo, which is building a marketplace for technical support and raised $1.7 million this past July. And in a certain kind of disruption irony, Stephens, the founder of GeekSquad who moved to Silicon Valley after leaving Best Buy in 2012, recently recommended the service.


But Geek Squad still has one critical advantage that many of these startups lack: point-of-sale access. After customers have purchased a new flat-panel television set or computer, there is a precise window of time to offer them installation services where the rate of acceptance is significantly higher than it otherwise would be. Few customers later decide to search for a service specialist, hence the need for children to head home for the holidays to install and fix technology.


This is why Amazon’s announcement is so important. Given its dominant position in online commerce, the company’s decision to offer a services marketplace could literally create thousands of jobs across the United States, or at the very least, improve the prospects for specialists already working in the field. For each product, Amazon will list the available services next to the listing, guaranteeing visibility and even potentially increasing sales among customers who are unsure if they can install or use a product.


Perhaps even more importantly, the prices of these point-of-sale services can be much higher than they would otherwise cost, thanks to framing effects. After someone has just spent thousands of dollars on a new device, adding a few hundred more for installation service doesn’t sound like such a bad deal. That’s what made Geek Squad such a profitable division for Best Buy.


That’s also why Amazon’s decision to run Selling Services as an open marketplace is so surprising.


In my research, I split labor marketplaces into two groups: versions 1 and 2. Version 1 marketplaces, which include the newly combined Elance-oDesk, Craigslist, and the original TaskRabbit, are open marketplaces where people can request services or sell their services at any price, and consumers wade through pages of relevant listings to find exactly the level of service quality and price they want.


These marketplaces have many challenges, not least of which is that consumers are terrible about judging quality from online postings. In many marketplace verticals, there can be a race to the bottom as customers rank services by price and then select the cheapest options. Ironically, this behavior is bad for the marketplace as well, since many consumers would be willing to pay more if they had fewer options.


These models compare to version 2 marketplaces like Uber, Rev, Scripted, and the new TaskRabbit, where prices are set flat or with a formula, and the quality of service is guaranteed by the marketplace itself. There is no haggling over price or being overwhelmed by the sheer volume of options, but often only a single option or a small handful to choose from. On the whole, these version 2 marketplaces tend to have better customer satisfaction and arguably higher profits.


Interestingly, Amazon’s marketplace doesn’t seem to follow these more recent version 2 marketplaces, but is instead more in line with the version 1 model. Amazon is not prescribing prices for its different services, instead offering an open marketplace where service providers can charge what they want and compete. The choice is no doubt familiar to the company given its other marketplaces.


That’s unfortunate, given that Amazon already has a tendency to cause buyer fatigue due to their massive product catalog. Given the number of customers using Amazon, I imagine many service providers will join the platform, meaning that there will be a surfeit of options for every service in each geography. Now, buyers will be expected to make another purchasing decision as part of their checkout process. I have little doubt that many potential consumers of these services will be left on the table.


The good news is that this is a beta product, and Amazon has a lot of time to get the mechanics of the process right. Unlike startups in this space who have to seek both sides of this market, Amazon has a guaranteed demand-side in its marketplace, so it has plenty of time to figure out how to best develop the supply. That won’t just make after-sale services easier, but save the holidays for millions of children across the country.


Now, if you excuse me, I need to get my mother’s new Chromecast working. Update: We got it working.


Featured Image: Jim Bauer/Flickr UNDER A CC BY-ND 2.0 LICENSE



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The Star Wars Episode VII Trailer If It Were Made By George Lucas

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What would that glorious The Force Awakens trailer look like if George Lucas went back and fiddled with it, as he so loves to do?


Probably something like this…


The number of references crammed in here is off the charts. I won’t spoil them all, but my favorite? The unnecessary rocks at 0:20. (If you don’t get that one, don’t worry — that’s probably a good thing. Here.)


(Joking aside, George Lucas does have a pretty big role in the development of Star Wars VII. While he’s neither directing nor writing the movie, the story concept is his and he was on set as a creative consultant.)


On a side note, I can not comprehend how someone managed to blast this out in just about 36 hours after the trailer’s release. Helluva job, Michael Shanks.






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Clime Stickers Are Up For Pre-Order, Will Tell You (And Baby) If It’s Cold Outside


I first covered Clime a few months ago when they were little more than 3D-printed nubbins. Now these nubbins have brains.


Essentially they are tiny indoor/outdoor thermometers. You can put them anywhere and then check your mobile device for the temperature. You may have something similar in your home – they used to called them weather thermometers – but older systems are far less responsive and far less compact.


The creators are running a crowdfunding effort right now and they’re looking to raise $50,000.


Created by Bart Zimny and Andrzej Pawlikowski, these things are essentially rubber-clad transmitters. As I wrote before, you drop them anywhere you want to sense – a windowsill or empty room or spooky basement – and the sensors do the rest. The goal is to create a cheap home automation system with these sensors at the base.


Eventually the pair plans to add more features including interactivity with climate control systems and notification systems that will inform you when it is, in fact, cold outside, Baby. They will ship in early 2015.






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Rumor: Newer, Bigger iPad Will Have a 12.2-inch Display, More Speakers





Mac Fan publishes alleged schematics of the larger tablet Apple (supposedly) has in the works.



Let the rumors commence. The Japanese magazine Mac Fan has published some potential schematics of Apple's larger tablet follow-up. As always, we have no way to verify the legitimacy of said schematics, but it sure is fun to speculate about as we await the (eventual) arrival of a giant iPad.



Or, in this case, the "iPad Pro" or "iPad Air Plus," which are the two names the magazine suggests as possibilities for Apple's larger tablet. According to the magazine's report, the next iPad—rather, Apple's bigger iPad—will come with a 12.2-inch display. That's right around what others have been suggesting as a potential size, though some rumors have gone all the way up to a 12.9-inch display for the larger tablet.



The tablet itself will be around 7 millimeters thick, and come in at around 12 inches by 8.7 inches. That's slightly larger than a piece of loose-leaf paper, which feels like a good but not unmanageable size for a tablet display—at least, based on the piece of paper we just picked up and manipulated for a few seconds.



According to Mac Fan, the larger iPad will ship with a new version of Apple's processors—the A9. That'll be an upgrade from the A8X processors currently found in the iPad Air 2, and it does run contrary to rumors that the two tablets would share the same processors. However, Apple's tablets will likely all share the same look and feel. The larger iPad will likely come with an extra pair of speakers, however, just to give the tablet a better stereo sound.



As for when this larger tablet might see the light of day, Mac Fan suggests that Apple will launch the device at some point between April and June of next year. That's not super-specific, but it does gel with other rumors we've heard about a potential timeframe for Apple's larger tablet. MacRumors notes that KGI Securities analyst Ming-Chi Kuo—which the site considers a fairly reliable source—suggested the larger tablet might not hit mass production until the second quarter of next year, as Apple is now busy trying to push out as many iPhone 6 Plus smartphones as it can.



As 9to5Mac notes, Mac Fan's schematics might hold a bit more weight than you would expect, given that the magazine published the correct dimensions of the iPhone 6 and iPhone 6 Plus well in advance of the devices' release. Whoever Mac Fan's sources happen to be, they seem accurate (so far).










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Study: Social Media Is Misused by Researchers




There are big flaws in how we analyze and predict human behavior based on social media data.



Social media provides us with mountains of data about the activities, proclivities, and habits of huge numbers of people using social platforms like Facebook and Twitter. The conventional wisdom holds that mining that data provides a treasure trove for economists, social scientists, marketers, and others who seek to quantify and predict future human behavior.


Not so fast, say researchers at Montreal's McGill University and Carnegie Mellon University in Pittsburgh.


In a paper published in the current issue of Science , computer scientists Derek Ruths and Jürgen Pfeffer of Carnegie Mellon outline a number of problems with academia's current usage of social media data to study human behavior.


These days, "thousands of research papers each year are now based on data gleaned from social media," so there are far-reaching implications to the poor methodology detailed by the researchers, Ruths told McGill University.


"Many of these papers are used to inform and justify decisions and investments among the public and in industry and government," he said.


Ruths and his colleagues listed several "challenges" for researchers using social media data sets, per McGill:








Mo’ Data Mo’ Problems


The most exciting promise of Big Data–and if you hate that term, you’re not alone, but I think we’re stuck with it now–is this: the data collection happening on an increasingly gargantuan scale, run through modern data-processing and pattern-recognition algorithms, will unearth powerful new insights into our world and, especially, human behavior. Unfortunately this is also its most worrying problem.


Right now, Big Data and privacy seem to be mortal foes. Personal data can reduce your car insurance–at the price of privacy. It can provide valuable public health data–by capturing sensitive private health information. It can help the police track bad guys–by creating a facial-recognition panopticon with technology that is practically crying out to be abused. It can construct a meaningful narrative out of, say, all the pictures you’ve ever posted to the Internet–even if you didn’t intend that to happen.


These aren’t purely theoretical concerns. The New York Times reports:



Having eroded privacy for decades, shady, poorly regulated data miners, brokers and resellers have now taken creepy classification to a whole new level. They have created lists of victims of sexual assault, and lists of people with sexually transmitted diseases. Lists of people who have Alzheimer’s, dementia and AIDS. Lists of the impotent and the depressed.


There are lists of “impulse buyers.” Lists of suckers: gullible consumers who have shown that they are susceptible to “vulnerability-based marketing.”



Now imagine such lists augmented by people who have accidentally, implicitly shown that they are vulnerable — eg with Facebook posts that algorithms interpret, in the context of all the posters’ other information, as evidence of secrets that users don’t want to reveal.


There are two basic problems here. One is that there are no standards for anonymizing and securing data. Organizations that collect and publish data anonymize and secure it only if and how they feel like it, on an ad hoc basis, and much “anonymized” data really isn’t — consider the badly anonymized NYC taxi data from earlier this year.


But there’s a deeper, far more fundamental, issue: do people have the right to know when data about them is being collected? And when it is, should they, rather than the collectors, own that data? I give you MIT professor Alex Pentland and his proposed “New Deal on Data“:



Collectively, we now have data that could help green the environment, create transparent government, deal with pandemics, and, of course, lead to better workers and better service for customers. But obviously someone or some company can abuse that […] The New Deal would give people the ability to see what’s being collected and opt out or opt in. Imagine you had a dashboard that showed what your house knows about you and what it shares, and you could turn it off or on […] Transparency is key. The data being recorded about you will form a fairly complete picture of your life […] I don’t think companies realize that the costs of a “grab all the data” strategy are very high.



Realistically, though, this New Deal implies yet another chapter in the long, sad tale of the battle between innovation and regulation. I’m not opposed to the latter, but I am frequently frustrated by how slowly it evolves compared to the former. There’s little doubt that the exponential growth in our data-collection abilities can lead to enormous benefits–but there’s also little doubt that the population in general is already deeply concerned about technology’s inexorable (and almost accidental) war on privacy, and we’re only a disaster or few away from loud calls for stricter regulation.


It would behoove the tech industry to get ahead of this problem, to begin with, by defining and implementing technical standards for data anonymization. (I wouldn’t be surprised if this actually became a new sub-sub-industry.) Better yet, larger companies could agree on a voluntary equivalent of the New Deal on Data, in hopes of forestalling any cries for regulation. Better sooner than later. I don’t think the tech industry quite appreciates how creeped out the general public is by data privacy and the lack thereof. If we take it casually, we’re playing with fire.


Featured Image: Dafydd Vaughan/Flickr UNDER A CC BY-SA 2.0 LICENSE



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What’s Next For Firefox?


When historians look at the history of the Web ten or twenty years from now, chances are they will point to Firefox as one of the most important products of the last ten years. But right now, it’s hard not to look at Firefox and worry a little bit about its future.


At the height of its success, around 2010/11, Firefox owned more than a quarter of the browser market in the U.S. and almost a third in Europe. Today, those numbers are much lower in most regions (though Germans still love Firefox more than any other browser). The exact numbers always depend on who you ask, but the trend is the same everywhere — and it’s not looking good for Mozilla’s browser.


Google’s Chrome launched at a time when Firefox development felt stagnant. I remember firing up Chrome for the first time back in 2008 and being astonished by how fast it was. I had been a long-time Firefox user at that time and Chrome — even in those early betas — blew it away. Much has changed since then and when it comes to speed, Firefox is now comparable again to Chrome (and it even outperforms it on some benchmarks). Firefox had left an opening for Chrome and Google marched right through it.


Things on the desktop aren’t looking great for Firefox, but Mozilla is also at best an also-ran on mobile. Apple didn’t allow third-party browser engines on its platform during the early days and even as Android gained in popularity, it still took Mozilla a while to launch a useful version of Firefox on that platform. Then, over the last few years, Mozilla tried to make up ground by launching its own platform. That was an audacious effort and I can only laud it for its effort to bring low-cost phones to developing countries — but so far, that effort has barely paid off except for in a couple of very small markets (and now that there are plenty of cheap Android phones around, I doubt it stands much of a chance in those markets either).


In many ways, it feels like the Firefox team is mostly fighting a battle of perceptions. Ask anybody why they don’t use Firefox and they’ll say: “It’s too slow.” That’s not actually the case anymore. Like Microsoft with IE, Mozilla now has to convince people that its browser is quite good again. Unlike Microsoft, it doesn’t have a marketing budget to do that (and it’s not like Microsoft’s IE campaigns have really made a difference either).


firefox-yahooMozilla has now partnered with Yahoo to power its search in the U.S. starting next month. And while Yahoo may not be the down-and-out company it seemed to be just a few years ago, it’s not exactly a powerhouse when it comes to search. This deal may gain Yahoo a few extra searchers, but it probably isn’t going to help Mozilla gain market share (because nobody is looking for a browser with built-in Yahoo search).


Maybe Mozilla is okay with all of this. It’s a non-profit organization that aims to make the web a better place and the web is a better place today thanks to the work Mozilla does. But what power does the organization have if its main product continues to lose importance? It’s easy to convince others to follow your lead when you own a large slice of a market, but when that number goes down to ten percent, it’s all too easy for others to ignore you.






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Too Many Droids

Screen Shot 2014-11-28 at 3.16.11 PM


This morning’s Star Wars: The Force Awakens trailer and Adult Swim’s Too Many Cooks are, obviously, the most important videos of the millennium (falcon.)


What happens if the two were to hang out one night, share a bit of wine, and maybe make a lil’ video-baby?


This happens.


Introducing Too Many Droids, a wonderful remix cut together by our own video producer Steve Long in response to a tweet by author Chuck Wendig.






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The E-Label Act Will Remove Those Silly FCC Symbols From The Back Of Future Gadgets

You know all that crap that’s listed on the back of your smartphone and tablet?


It looks something like this:


Screenshot 2014-11-28 13.55.04


A jumble of letters and words, an FCC symbol, and instructions to not throw your electronic equipment into the trash. It’s ugly, and generally a waste of space. But luckily for us, it’s time to say goodbye to that mess.


In what feels a bit like a holiday gift, the government has passed the E-Label Act, a bill introduced by Senators Deb Fisher and Jay Rockefeller. The bill is meant to save time and resources building products, transferring the information from the back of the gadget to the software itself. Plus, as our gadgets get smaller (smartwatches!), there will inevitably be less and less space to fit those labels, ID numbers, etc.


Happy Thanksgiving, everyone!


[via Engadget]






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Find Your Zen With Desert Golfing

Desert Golfing


If you’re looking for something to do while sitting around with family as you all process the remainder of the Thanksgiving meal still working its way through your digestive tract, I’ve got something for you that will take very little effort but still provides hours of entertainment.


It’s Desert Golfing, a simple game for iOS and Android (it’s also available on Amazon’s app store). I first heard about it via the Isometric podcast’s Steve Lubitz, who’s been going on for months about the merits of the minimalist golf simulator.


All you do is hit a tiny golf ball from a starting point on the left side of the screen to a hole somewhere between the middle and the far right by aiming your stroke with a swipe similar to that used to launch fowl in Angry Birds. Between you and your goal are dunes and drops in the sand, and if you overshoot, the ball goes back to the starting position.


There’s a running tally of your strokes, but because there’s a seemingly endless number of holes, there’s no need to focus on getting that number down besides you pressuring yourself to do so. That’s the compulsion you’ll have for the first few dozen holes you play, but once you get into the higher numbers you realize that it’s better to just get into the flow of it and find creative solutions (like bouncing off of angled sand banks).


The game is $2 on all platforms, and you never have to look at an ad as you play (or pay for additional levels, and there are hundreds built-in). It’s a fun game to play with a friend if you’re stuck at home, on a plane, or on a long road trip, as each turn only takes about 30 seconds and there’s no downside to playing with someone of a lower skill level.


Featured Image: Desert Golfing



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Here Star Wars, I Fixed Your ‘Force Awakens’ Lightsaber Crossguard For You


The first Star Wars: The Force Awakens trailer features all kinds of things that make my diehard Star Wars soul quiver and dance, but the crossguard on the dark side lightsaber spotted in the teaser, while initially cool, increasingly isn’t one of them. It looks ultimately very impractical, and I couldn’t help but offer up some engineering tips for the weapon’s designer.


Let me explain: While the design looks like it was inspired by the kind of guard you’d see on a claymore, for instance, which prevents an opponents blade from sliding down yours and, say, cutting off your fingers, it seems unlikely to serve that function. The emitters extend from the hilt, as you can see, which presumably means they’re vulnerable to the opponent’s blade, which, per Star Wars lore, can cut through pretty much anything (except for Mandalorian iron, Force-imbued weapons and some other noteworthy materials). The whole point, however, of not using metal for the sword itself is that lightsabers can cut through most without issue.


So, to make an effective guard for a sword hilt, which does seem like something worth the time of lightsaber artisans, I propose a couple of design tweaks.


crosssaberimproved


The first moves the emitters, placing individual vertical ones across the bottom of the guard. This means there’s a continuous field of energy blade, ensuring that any sliding opponent blade won’t just cut straight through the horizontal emitters at the T-joint in the original version.


crossaberimproved2


The second version assumes that a series of small, power-limited vertical emitters aren’t technically practical, or don’t provide a continuous field, and instead extends a metal guard around either end, which point emitters across the field of the central blade. Once again, you get an unbroken energy beam, with a cross-section that is presumably stronger for the overlap, if anything.


Of course, it’s possible that A) the blade is made through some kind of secret Sith ritual that means the emitters at the hilt are fine, or B) the guard isn’t a guard at all, but merely additional, dagger-like blades designed to help wound in close combat. It’s also possible that I have too much time on my hands.






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KineMaster could be the best video-editing app for Android

Smartphones are getting bigger and more powerful, and the lines between ‘PC’ and ‘phone’ are very much blurred. While everyone now has the potential to be a one-man film crew, you’re only as good as your tools permit, which is why I’ve been on the hunt for the best video-editing app Android has to offer. And it’s been a tough old slog.


In my quest to find the ultimate video-editing app, I tried pretty much everything there is out there. And if I’m being honest, there is a lot of trash.


There are a number of pretty good social-focused apps that help you mash clips together with soundtracks and spit out a Facebook-friendly cacophony, but that wasn’t what I was looking for. What I was ultimately looking for was a user-friendly, good-looking, Adobe Premiere or iMovie-esque application that gives me very granular control of my clips and edits, with full effects and publishing features.


I stumbled upon KineMaster earlier this year, and it has become a staple tool in my armory, both for work and play. While editing and publishing from a phone will never be quite as easy as doing so from a PC, the speed and convenience of being able to shoot a good-quality skit on my pocket rocket, edit it on the fly and publish direct to YouTube more than makes up for it.


Here’s a quick look under the hood.


Video Gaga


When you first launch the app, you’re invited to venture down the ‘New Users’ route, which guides you through the basics of adding media to a new project. After the first time, I just skipped this though and went straight to the main ‘new project’ view.


a3 730x410 KineMaster could be the best video editing app for Android


If you already have a number of projects created, you will see these in a horizontally-scrolling list first, before you decide you wish to create a new project by hitting the little ‘+’ icon.


ab1 730x410 KineMaster could be the best video editing app for Android


When creating a new project, you can choose to view all photos and videos on your device from the myriad of folders you may have, or you can elect to just view the video clips. This suits various uses – if you want to create a photo slideshow with music, you can do so easily.


In terms of supported formats, well, with video you can choose from .mp4, .3gp and .mov, while you’re restricted to .jpg and .png for images. For sounds you have .mp3, .mp4a and .aac at your disposal.


b2 730x410 KineMaster could be the best video editing app for Android


With all your clips selected, you simply order them in your timeline as you would with any other editing app. Long-press and hold a clip to shift or delete it, hit the ‘Add Media’ icon to reel in new content, add music from your device, or add a ‘theme’ to your video, which includes pre-made animation effects.


Screenshot 2014 11 28 13 59 38 730x410 KineMaster could be the best video editing app for Android


However, you can also capture content on the spot to add to your video – so this could be video or photos from your camera, or even audio. This means you can record voiceovers and commentary atop the on-screen action in real-time.


Screenshot 2014 11 28 14 07 39 730x410 KineMaster could be the best video editing app for Android


To edit, you just tap a specific clip, and you’re presented with a number of options. You can raise/lower the hue, brightness or saturation on a specific part, trim it down, add titles, lower/increase the volume, control the speed, add effects/transitions and more.


d 730x410 KineMaster could be the best video editing app for Android


There are also a number of extra features that could prove useful for power-users, such as the ability to capture and insert a specific frame to create a ‘pause’ effect in the video, or to include in opening/closing credits.


f 730x410 KineMaster could be the best video editing app for Android


You can also give your video a color makeover, or convert it to black-and-white.


g 730x410 KineMaster could be the best video editing app for Android


In terms of exporting, you can do so in low-quality (640 x 360), high-definition (1280 x 720) or Full HD (1920 x 1080), direct to Facebook, Google+, YouTube, Google Drive, Dropbox and any other compatible apps via the general ‘share’ button.


i 730x410 KineMaster could be the best video editing app for Android


While you can save the video directly to your device to upload manually to YouTube, Vimeo or wherever, it is useful being able to export directly to these services from within KineMaster too, with the ability to give your creation a title, description, tags and more.


j1 730x410 KineMaster could be the best video editing app for Android


Though KineMaster does offer a pretty powerful set of editing tools, it isn’t without its flaws. In search of some pretty basic functions, I sometimes encountered problems. For example, having a fade-in and fade-out function at the start and end of a video is pretty standard in my view, but there is no dedicated function for this – only a cross-fade for in between clips.


After doing a little sleuthing, however, I did find a workaround – there is an option to add a black background clip to your video, which you must insert at the beginning and end of the video. Then all you do is create a cross-fade between that and the first/last proper clip in your creation.


I also expected there to be a save button for each project, but after much seeking, I discovered there isn’t one – anything you create is automatically saved, so if you wish to return to the main projects’ homescreen, you can just hit the back-button on your device without fear that all your hard graft will be lost.


There are a handful of other counterintuitive aspects to KineMaster I came across, but it’s all really part of a learning process like anything.


You’ll also no doubt be curious about the costs. The good news is KineMaster is completely free to use – however, you will have to tolerate a KineMaster watermark on all your videos. A pretty reasonable monthly/yearly subscription of $4.99/$39.99 removes this though.


The one thing I would maybe add here regarding the costs is that a one-off payment feature to remove a watermark in a single video would be good – not everyone will use this app as regularly as I do, so the ‘value-for-money’ aspect perhaps won’t be as pronounced for others.


All in all, KineMaster is a fantastic tool for mobile video-creators – it really does offer a lot of bang for your buck. I haven’t encountered anything that comes close to it in terms of features.


➤ Kinemaster








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Best Buy’s Website Crashes Hard On Black Friday

Screen Shot 2014-11-28 at 7.32.12 AM


WHOOPS.


Seems Best Buy was ill prepared for today’s post-Turkey shopping madness — at least online.


BestBuy.com has been down for nearly an hour now (since roughly 6:15 AM Pacific), on a sales day that the company likely hoped would be one of their best.


It’s unclear whether the outage is due to a technical screwup or traffic overwhelming their servers. For what it’s worth, the “Oh god, our website is broke” page itself loads pretty quick — but that page is probably a whole lot easier to serve up than a zillion simultaneous searches and shopping cart additions.


Update:


Seems their apps are broken, too.






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Google Play Deals Include Nexus 9, Smartwatches




On Black Friday through Cyber Monday, get Google Play credit and some extra discounts on Nexus 9 and Chromecast.



Big box retailers aren't the only ones offering Black Friday and Cyber Monday sales. On the Web, Google has some holiday discounts for Nexus and other devices via Google Play.


Now through Dec. 1, buy a Nexus 9 and get a $50 credit toward Google Play content like movies and games. Once the tablet ships, Google will send you an email with the promo code, which must be redeemed by Jan. 31.


Holiday Gift Guide bug The Google Chromecast is also $10 off, so you can cast your Netflix, Hulu, HBO, and more from a mobile device or PC to your HDTV for just $25. Discount will be applied at checkout.


Meanwhile, the Nest Learning Thermostat gets a $50 price drop to $199. That offer is also available at Best Buy, Amazon, and Target.


If you're in the market for a smartwatch, Google Play has some discounts on Android Wear-based devices.






You Can Now Watch The Star Wars: The Force Awakens Trailer Online


If you aren’t heading to the movies today, you still won’t miss out on the Star Wars: The Force Awakens trailer – it’s available now over at iTunes to watch. The highly-anticipated sequel to the sci-fi trilogy from the late 70s and early 80s (and maybe also a decade or so ago, if you happen to count those) comes out December 15, 2015, so know that when you’re watching this trailer you still have to wait over a year before the Force actually awakens.


Is this fair? It is not fair. But take heat, since it seems like only yesterday we found out about this project to begin with: You’ll be back in the loving embrace of the fictional Star Wars universe before you know it. Brb getting in line now.






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Nintendo Patents Game Boy Emulation For Use In Mobile Devices, In-Flight Entertainment


A new patent published by the USPTO yesterday details an invention by Nintendo that would allow it to emulate its mobile game consoles, including the Game Boy line of devices specifically, in other settings, including on seat-back displays in airplanes and trains, and on mobile devices including cell phones. The patent is an updated take on an older piece of IP, so it’s not an entirely new idea, but it’s still very interesting to consider that Nintendo could have renewed interest in the idea of running its own back catalogue on many different kinds of screens.


The patent talks specifically about emulation, which is the technique by which a hardware platform is mimicked by a software application on a different type of hardware, in order to run versions of the games for said platform without requiring either the console itself, or physical cartridges. Generally, it’s been used by fan communities to play their favourite games of old on PCs, Macs and mobile devices, but in this patent Nintendo details using it for its own legitimate, licensed distribution of software.


Already, Nintendo emulates some of its past console titles on newer systems, providing access to SNES, NES and Game Boy classics on the Wii, Wii U and 3DS. This patent would see it expand those offerings to a range of devices, including potentially smartphones. Many have called for the company to consider making its signature titles available on smartphone devices as a way to shore up struggling hardware sales, but thus far the company has seemed reluctant to the idea. Lately, it has been offering spin-off games from the Pokémon series on iPhone and iPad, but it has yet to provide full ports, as Square-Enix has with the Final Fantasy series, for instance.


Emulators on iOS generally get shut down as soon as the Apple review team is made aware of their function, so a legitimate offering from Nintendo on the platform would likely be met with huge consumer interest. Again, though, Nintendo has laid down patents around this general concept in the past, so its interest in protecting IP on the matter doesn’t necessarily indicate any desire to explore product offerings in the area.


Featured Image: Tomislav Mavrovic/Flickr UNDER A CC BY-ND 2.0 LICENSE



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Apple Offers (RED) Gift Cards for Black Friday




Get gifts cards worth $25 to $100 when buying select Apple products, from iPad and Mac to iPhone and Beats.



Apple's Black Friday deals are now live, and Cupertino this year is offering gift cards that tie in with its effort to raise funds for the Global Fund to fight AIDS.



Earlier this week, Apple announced that it would donate a portion of its Black Friday and Cyber Monday sales to the fund. In addition, those who purchase select Apple products today will get a (RED)-branded gift card.



Holiday Gift Guide bug Apple doesn't specifically call out Black Friday on its website, choosing to instead turn its iconic logo red for AIDS awareness, and subtly mentioning the potential for deals.



"Let's make today more than the start of the shopping season," Apple said. "When you purchase select Apple products, you'll receive a (PRODUCT) RED iTunes Gift Card to use toward anything at the iTunes Store. And we'll automatically make a donation to the Global Fund to support the fight against AIDS."



So which products come with the gift card?






Sony E-ink Watch Aims To Make Low–Power Screens The Next Big Thing In Fashion Fabric

Almost every tech hardware maker is basically racing smart watches out the door, but Sony is looking at how it can re-invent the basic timekeeping device itself with a new special project that was only just now revealed to be associated with the Japanese electronics giant, despite popping up on a crowdfunding site months ago. The so-called FES Watch, which uses e-paper for both the face and a wraparound band, initially kept the Sony name out of the mix to see how well it would fare in the public forum without the power of branding.


FES Watch was instead billed as the product of a company called Fashion Entertainments, but that group is actually a team of Sony employees looking at how e-paper can be used to manufacture fashion goods. The WSJ reports that it wants to make e-paper thought of as a fabric in the fashion realm, good for making things like watches, bow ties, hat accessories or any other number of worn items. The Fashion Entertainments unit is led by Hiroki Totoki, the new head of Sony’s smartphone efforts, and is part of a program of internal entrepreneurship conceived by Sony CEO Kazuo Hirai.


The FES Watch project has already raised well over $17,000 on the crowdfunding site, meaning it passed tis goal and should go to production. The decision to hide Sony’s involvement meant Fashion Entertainments could get a better sense for how the idea would fare, without any influencing effects from being associated with Sony’s brand name. Often, startups say they go to crowdfunding sites not necessarily to raise money, but to test market viability and gather feedback before a product launch, or to help them raise traditional VC cash, so while Sony’s move is not unprecedented, it may be the largest company to have employed this kind of tactic.


fes-watch


Turning e-paper into a fabric has a number of potential benefits – including the ability to change pattern and design of things you’re wearing in an instant, including coloured options using newer color e-ink technology. The material’s extremely low power draw means it should be able to last a long time without charging, and items made using it could easily be made to change their appearance based on movement and basic behavior, using simple motion sensors. Smart functions (i.e., notifications and communication with smartphones) might also be possible, but the spirit of the project is to keep things simple so that e-paper gets perceived as fabric or building block, and less as tech.


Pre-order customers will get their devices after next May, but there’s no word yet on general availability for the FES Watch. It’s definitely causing a stir, though, so hopefully Sony makes this more broadly available.






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Bing begins removing search results following ‘right to be forgotten requests’ in Europe

Microsoft’s search engine Bing has begun to remove search results in Europe that mention individuals who have invoked their ‘right to be forgotten’, reports removal request service Forget.me.


Following a ruling by the Court of Justice of the European Union in May, Bing began accepting removal requests in July by releasing a form for users to fill out. Forget.me reports that users of its service who requested Bing to remove requests have now begun to receive responses.


Of the 699 requests made via Forget.me, 79 have received responses so far, all of which have been refusals to comply. Two of the refusals cite unjustified reasoning, while the rest are responses to search results pointing to content on social networks, for which Bing suggests requesting takedowns directly on those social networks for effective search result removal.


The head of Article 29 Working Party of EU national data protection authorities said earlier this week that it won’t be mandatory for Google to notify publishers and media outlets when their stories are delisted from search results – so it’s also possible that Bing has complied with other requests and removed them, but Forget.me hasn’t received any such notifications.


➤ The ‘Right To Be Forgotten’: Bing has started responding to search engine removal requests [Forget.me]








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This Week On The TC Gadgets Podcast: BlackFriday!

We’re bringing this podcast to you a little early so you can arm yourself before going into Black Friday! Join Greg Kumparak, Matt Burns, and Darrell Etherington as we skewer Zelda and talk about the best laptops for your money!


We invite you to enjoy our weekly podcasts every Friday at 3 p.m. Eastern and noon Pacific. And feel free to check out the TechCrunch Gadgets Flipboard magazine right here.


Click here to download an MP3 of this show.

You can subscribe to the show via RSS.

Subscribe in iTunes


Intro Music by Mendhoan.






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Thankful

A Gift Guide For Watch Loving Ladies


While almost anyone can wear any watch – some watch companies aim traditionally female watches at men with small wrists – a dedicated woman’s watch is beautiful, well-made, and timeless. Here are some of my favorites for the past year.


Legible and elegant, the PrimaLuna collection by historic Swiss watch maker longines offers a variety of styles with both mechanical and quartz movements as well as all steel or two-tone cases. Many women’s watches are really just scaled down men’s pieces but what is nice about the PrimaLuna is that is feminine from the ground-up and nevertheless appropriately conservative. $1,100 – $6,400


Decorative items such as a mother-of-pearl dial and diamonds mask what is actually a very sensible timepiece in the Captain Ultra-Thin Lady Moonphase watch by Swiss Zenith. It begins with an in-house produced Zenith Elite automatic movement that also features an indicator for the phases of the moon. Legible and classy the 33mm wide steel case is elegant enough for evening attire but wouldn’t look out of place when worn casually. Think of it as a fashionable item for serious watch lovers. $9,600.


While Chanel is mostly known for their popular ceramic-cased J12 collection watches, a solid favorite is the Premiere which blends French romance with a youthful style that tends to still look good on women of all ages and styles. The distinctive watch case is borrowed from the cap of the famous Chanel No. 5 perfume bottle, which is itself borrowed from the shape of the Place Vendome area in Paris. Offered in a few styles with or without diamonds and in steel or 18k gold, the Premiere on the newer chain bracelet is among the most attractive women’s timepiece of late. $4,750 – $31,000


“Tortue” means “tortoise” and refers to the shape of this iconic Cartier timepiece. New for the brand is the Tortue Medium size which marries a humble 39mm wide case with a Cartier manually-wound mechanical movement. Extremely demure, the Tortue Medium recalls traditional luxury with its gold case, classic Cartier dial with blued steel hands and Roman numeral hour markers, as well as a sapphire crystal in the crown all matched to a brown alligator strap. This is a watch that speaks luxury and status without wishing to show it off flamboyantly. $15,600


Widely considered to be Italy’s finest and most exclusive producer of jewelry and silver items, Buccellati also has a boutique watch making facility and craftspeople who hand-produce the cases of each model. Unlike French jewelry companies Buccellati products are typically more densely decorated with engravings and lots of details. Many of their jewelry items are also one-of-a-kind. For the ultimate classic timepiece visit one of the few Buccellati boutiques around the world or visit them in Milan to have a custom-made women’s timepiece complete with an elaborate design and a healthy amount of precious stones. Their prices are even more “reasonable” than those of the bigger names in France.


For 2014 Bulova returns to the classic 1960s “Spaceview” collection in part of the fresh Accutron II collection. Those familiar with original Accutron Spaceview watches will recall that they contained electronic turning fork movements that pre-dated quartz movement technology. A hallmark was a sweeping seconds hand similar to that of mechanical movements. The Accutron II collection makes use of a modern quartz movement exclusive to Bulova known as the Precisionist. In short, it also offers a sweeping (versus ticking) seconds hand and actually more accuracy than most standard quartz movements. The distinctive shield-style case and open dial are reminiscent of the original 1960s models and while this is a men’s watch it gets a bit more girly on the white strap. $499






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These Aren’t The Drones You’re Looking For

As we approach the holiday season, San Francisco startup Doorman has been getting a lot of attention from the press — after all, by delivering packages when you’re actually home, rather than when it’s convenient for the delivery service, Doorman should reduce the risk that your gifts will get stolen while they’re sitting on your doorstep.


I was actually quoted in an ABC segment about Doorman — not that I’m particularly knowledgeable about the industry, but I am willing to blather about it on camera. Most of the coverage, however, has failed to mention a cool new service called Doorman Blade.


We’ve written previously about how, despite hype from Amazon and Google, urban drone delivery probably won’t become a reality anytime soon. As you can see in the video above, Doorman has beaten those bigger players to the punch — not with advanced technology, but simply by slapping a propeller hat on a delivery guy and calling it a drone.


Now, you might be thinking that this is just a goofy publicity stunt, and, well, that’s completely accurate. But hey, it’s Thanksgiving, and rather than give you real news, I figured I’d try to make you laugh.


On a slightly more serious note, I should probably point out that at the moment, Doorman is only available in San Francisco. (A similar service called Parcel has launched in New York.) Oh, and the Doorman team wants me to tell you that it’s releasing an Android app next week, and that it’s working to add features like instant delivery and package return scheduling.






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The Black Friday Survival Guide

Musixmatch brings its lyrics cataglog to the Web, replete with song-synchronization for karaoke nuts

We’ve written about Musixmatch before, a company that provides millions of officially licensed lyrics via its API. And now, following in the footsteps of its launch on iOS and Android way back in 2011, the service is open on the Web too.


Musixmatch says its daily number of users have shot from 4 million to more than 10 million globally in less than a year, with app downloads totalling 30 million. The app basically scans a user’s digital music library and playlists, and displays the lyrics accordingly. As this is an officially licensed service, with deals in place with all the major publishers thousands of indies, revenue is also directed back to rights holders.


Via the new website, users can discuss specific songs, search for lyrics, contribute to existing lyrics and even translate them. You can view lyrics in a standalone list-style format, or sync with the song itself with a YouTube video of the music – for this you’ll need to create an account and sign in, however.


In addition to its mobile and Web app, Musixmatch also has an app for Spotify, Chromecast and Google Nexus Player TV.


Song lyrics are actually one of the most commonly searched items on the internet, so it makes sense that Musixmatch would finally arrive with a Web-based entity.


➤ Musixmatch








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2 classic photo and type approaches that influence modern design

Jo Plumridge is a British writer and photographer, who specializes in design, travel and comedy pieces. This post was originally published on the Shutterstock blog and has been reprinted with permission.




The origins of graphic (and Web) design owe much to the photographic field. The man responsible for what is arguably one of the central mediums of modern graphic design was László Moholy-Nagy.


After joining the Bauhaus school in 1923 to teach, Moholy-Nagy became instrumental in developing the concept of “typophoto” — a set of aesthetic principles that governed the integration of typography and photography in graphic work.


Moholy-Nagy defined typophoto thusly: “Typography is communication composed in type. Photography is the visual presentation of what can be optically apprehended. Typophoto is the visually most exact rendering of communication.”


static.squarespace1 730x1018 2 classic photo and type approaches that influence modern designImage by László Moholy-Nagy




Judging Moholy-Nagy’s work against modern designs makes a lot of his design look almost simplistic, but at the time it was revolutionary. This was partly due to the lack of options with photography and the limited supply of images. His work often used very simple geometric shapes, but the basis of advertising and design work was present. He started to instill the notion that images could aid the message that the words were trying to convey. Today, typophoto remains as effective as ever.


static.squarespace 12 730x515 2 classic photo and type approaches that influence modern designImage by archetype




Another school of design that played an important part in combining type and photography was Swiss Design (often called the International Style), which originated in Switzerland in the 1940s and ’50s. Swiss Design stressed the combination of typography and photography as a valid means of communication. Work was primarily developed as posters, as these were seen as an effective means of communication. The method also developed the use of sans-serif typography, grids, and asymmetrical layouts.


swiss 730x1031 2 classic photo and type approaches that influence modern designAn example of Swiss Design




Swiss Design relied heavily on the use of cutouts placed on a simple background to emphasize the importance of the image. The use of perspective was also important to draw the viewer’s eye to the message being conveyed. The photographs used were placed on a plain, brightly colored background, which added to the 3D effect of the posters.


Swiss Design follows a very precise format, which is easy to replicate using the right imagery. Consider the photos below:


static.squarespace 21 2 classic photo and type approaches that influence modern designImage by Sabphoto


static.squarespace 31 2 classic photo and type approaches that influence modern designImage by Luna Vandoorne


The emphasis behind Swiss Design is that two different, but very similar images, can convey very different meanings. The second shot is an aerial shot and would work well to relay a feeling of direction or power. The car is cutting through the water in a way that could be used to convey a dynamic purpose.


The first photo is similar in subject (in that it shows a car driving through a flood), but it doesn’t carry the same message as the other, it could still be used quite effectively in a Swiss Design poster as a secondary image to support the strength of the primary image.


Now, consider the premise when used with a famous landmark, such as Tower Bridge in London:


static.squarespace 4 2 classic photo and type approaches that influence modern designImage by QQ7


static.squarespace 5 2 classic photo and type approaches that influence modern designImage by Jeff Dalton


It’s easy to see from just two shots of the same landmark how a photograph can be used to convey different design points of view. The first image, showing part of Tower Bridge with the City of London in the background, is dynamic, showing the growth of London and its modern buildings.


The second image, a classic Routemaster bus crossing the bridge, is mostly black and white and conveys a more classic view of the city. So, the first image could successfully be used in a design campaign to promote growth, whereas the second could be very successful for a tourist or historical campaign.


When we combine the tenets of Swiss Design with modern photography, the possibilities are endless. And modern design still owes much to the early pioneers by helping us create stylish campaigns that stand the test of time.


Featured image by Jeff Dalton: Shutterstock














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Bio-Fuel Powered Electric Triplane Launches On Kickstarter


We thought Triplanes disappeared after World War One. But a new startup aims to bring them back in a new hybrid electric aircraft, powered by biofuel. FaradAir is now raising money on Kickstarter to achieve its initial funding goals for its plane.


The Bio-Electric-Hybrid-Aircraft or BEHA for short, aims to be the world’s first ‘Hybrid’ eco-friendly aircraft, but won’t take to the skies until 2020. The Anglo/US venture involving several technology partners, including the renowned aviation engineering university at Cranfield, UK.


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Neil Cloughley, Managing Director says the near-silent aircraft negates night flight restrictions and pollution concerns.


The key difference with the BEHA is its size. Most electric planes have huge, long glider-like wings which restricts where they can operate from, but by employing a tri-plane format, the BEHA can land on a normal airfield.


Solar panel skins feature on all flight surfaces, and a wind-turbine will create battery-charging capability for both in-flight and when on the ground.


However, the price comes in steep: $1m US Dollars per aircraft.


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4 giveaways: Enter today for a chance to win gadgets and services!

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